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Belgrade-based, since 2003, creative docs only.

Four international successes on credit, two in the making. 200+ festivals, 25 awards, 20 broadcasters.

Gypsy Mad Max, Delicatessen, satirical vérité, spaghetti eastern, doors, times, nothingness.

BROADCASTERS: Arte (France), MDR, WDR, BR, Phoenix (Germany), SVT, UR (Sweden), YLE, YLE FST (Finland), RTSI (Switzerland),

RAI 3 (Italy), TVC (Spain), TV Kultura (Russia), TVP (Poland), ERT (Greece), ERR (Estonia), LTV (Latvia), Channel 1, Yes Docu (Israel), Cyprus TV,

TV SLO (Slovenia), RTRS, BHT (Bosnia), HRT (Croatia), B92 (Serbia), Eurochannel, Al Jazeera, HBO Europe

FUNDERS: Eurimages, Cinéma du monde, Doha Film Institute, IDFA Bertha Fund, Croatian Audiovisual Center, Serbian Film Center, Belgrade Arts Council

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Boris Mitić

Lived on a few continents, worked for five years for global media outlets, understood some things and dedicated the rest of his life to creative parenting, creative football and creative documentaries. Plays blitz chess, writes satirical columns for PLAYBOY and lectures worldwide on the realpolitik of documentary filmaking.

Mila Turajlić

Studied film, politics and media at La Sorbonne (PhD), the London  School of Economics (M.A) and the Belgrade Film Academy (B.A). Specialised in documentary filmmaking at La Fémis, Documentary Campus and Eurodoc. Worked as AD and production assistant on documentary series (Discovery Channel, ARTE) and feature films (“Human Zoo” prod. Luc Besson, “Brothers Bloom” dir. Rian Johnson, “Apocalypto” dir. Mel Gibson).